Tag Archives: reviews

STAR TREK BEYOND

22 Jul

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Synopsis: A surprise attack in outer space forces the Enterprise to crash-land on a mysterious world. The assault came from Krall (Idris Elba), a lizard-like dictator who derives his energy by sucking the life out of his victims. Krall needs an ancient and valuable artifact that’s aboard the badly damaged starship. Left stranded in a rugged wilderness, Kirk (Chris Pine), Spock (Zachary Quinto) and the rest of the crew must now battle a deadly alien race while trying to find a way off their hostile planet.

Cast

Chris Pine………………………James T. Kirk

Zachary Quinto…………………………Spock

Karl Urban…………………Dr. Bones McCoy

Zoe Salanda…………………………Lt. Uhura

Simon Pegg…..Montgomery (Scotty) Scott

John Cho……………………………………Sulu

Anton Yelchin…………………………Checkov

Idris Elba……………………………………Krall

Sofia Boutella……………………………….Jaylah

Review:  The Star Trek franchise always had a series of elements that made it specifically Trek, among them the sense of hope, humor and adventure for mankind’s future, an over the top enemy combatant and most importantly the familial bond between Kirk, Spock and McCoy.  This the third adventure in the reboot series, written by Simon (Scotty) Pegg, Doug Jung and under the direction of Justin Lin, not only accomplishes all the elements with a great story and script it also pays homage to Leonard Nimoy and dedicates the film to the late Nimoy and Anton Yelchin.

The real crux of this, the third and best outing yet is that, finally the Kirk, Spock, McCoy trio really connect in the way you always knew, one can not be without the other. In a side plot we learn that Ambassador Spock (Nimoy) has died and Quinto’s Spock must now come to terms with his destiny, should he leave the federation and live on New Vulcan or stay with his friends. This seems to be a theme in other incarnations of Trek and feels right at home here as well.

Sofia Boutella plays Jaylah who befriends Scotty and helps the Enterprise crew against a common enemy Krall who is hell bent on destroying the Federation and all it stands for. Jaylah is a stand-out in the film in the sense that she is a strong independent woman who looks just as good in the command chair as Kirk. She keeps calling Scotty by his full name Montgomery Scotty, confusing his last name Scott with his nick name. This really endears you to her character.

The film is a real pleasure to watch for trek fans and the pacing of the script keeps you engrossed in the story. To appease modern summer blockbuster audiences there are battle sequences, an exciting climax to the story line and great visuals. Like the original trek the cerebral aspect and metaphor here is what can happen to a human being totally consumed by hate and revenge. If this third film is any indication may the franchise live long and prosper.

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GHOSTBUSTERS 2016

18 Jul

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  • Director Paul Feig
  • Writers Katie Dippold, Paul Feig
  • Stars Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth

 

REVIEW:

Seeing any reboot these days especially one that had such a negative reaction way before it was released, is a risk considering Ghostbusters is such a beloved movie, but I ain’t afraid of no ghosts! That said, if you take four of the funniest ladies on the planet mix them with cameo’s by the original cast sans the deceased Harold Ramis, and Rick Moranis, add at times belly laughs, clever visual gags and witty dialogue you have a winner, that pays homage to the original.

First off Kate McKinnon is the star of this film with the hilarious character of the nerdy, obsessed with building gadgetry, techno babbling scientist, Jillian Holtzman. Her timing her facial expressions her commitment to the role from the moment she steps on screen to her battling with ghosts is just hilarious. She is obviously SNL’s break out star and this role just proves the point. Kristin Wiig plays scientist Erin Gilbert and she being left in the dust, by having to play straight woman to the rest of the cast, does not have enough funny moments, although her getting slimed every ten minutes is funny I wish they gave her more to do. Melissa McCarthy plays paranormal specialist Abby Yates former roommate and friend to Gilbert. McCarthy’s comic timing is impeccable and when she worked with McKinnon many belly laughs ensue. Leslie Jones plays Patty Tolan and is very funny as an extension of her SNL persona, the loudmouth woman who knows she’s right even when she’s not. The chemistry between the four of them really works well with McKinnon the stand-out. Bill Murray plays Martin Heiss, a professional debunker of the paranormal and has the best cameo, Dan Ackroyd, Annie Potts, a bust of Harold Ramis and Sigourney Weaver also appear in the film. Each one having a small but funny cameo. Chris Hemsworth plays Kevin the ditzy hunk receptionist for the Ghostbusters, you can tell he had a blast playing the role and enjoyed making fun of his own screen image. Stay for the end credits because it is a follow up of events that occur after the last scene, this also where you will see Weaver’s cameo. I give the film three and a half stars for director Paul Feig’s vision although not up to the original the film is fun and worth a look-see.

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Disney’s The Jungle Book

17 Apr

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Disney’s The Jungle Book.  First off it is safe to say this movie is less about Disney’s Jungle Book the animated version (1967) as much as it pays more attention to Rudyard Kiplings book.

The new version is live action with amazing CGI that brings you right in to the Jungle world of man-cub Mowgli, played well by new comer, Neel Sethi. The film has a PG rating and some scenes might be a bit too realistic for the very young. The casting is superb, Ben Kingsly as Bagheera the panther who found Mowgli as an infant and gave him to the wolves to raise as their own, Lupito Nyong’o plays the Raksha Mowgli’s wolf mother, Idris Elba as Shere Khan the tiger who wants Mowgli dead, Scarlette Johansson as the snake Kaa, Christopher Walken as King Louis the King of the apes, and the wonderful Bill Murray as Baloo the bear.
The only resemblance to the animated version is three songs lifted from that film:
1: Bill Murray as Baloo in an effort to befreind Mowgli after enlisting him into retreaving honey for him from live bees nests, sings the song Bear Neccesities with Mowgli. Rather than a disconnected musical number, Murray plays it as way to understand Baloo’s character and give dimension to his relationship with Mowgli. Not only is it pure Murray but it is a joy to watch, like a peacful float down a river.
2. When we first meet Christopher Walken as King Louis sitting on a throne in an ancient jungle temple, he comes across as The Godfather with a hidden agenda. He sings I Want To Be Like You so incidiously ,telling of his plot to get the red flower (FIRE), from the man-cub so he can take power and control the jungle, you can only think what a perfect choice he was to play the part. He sings it in a way that let’s you see inside him and understand just how power hungry and crazy he is. Not unlike any dictator he uses his underlings to capture the man-cub so they can negotiate face to face.
3. Lastly stay for the end credits, because there is a lot going on, a reprise of I want To Be Like You and the third song, Trust In Me sung by Kaa.
The film is a winner all around and incidently it is also Gary Shandlings last film he plays a minor character Ikki the Porcupine. (Very well too I might add.)
I saw it in 3D and the world you are drawn into like Avatar before it is complete and all consuming. Go and enjoy.

Captain America the Winter Soldier

7 Apr

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Synopsis: Captain America, Steve Rodgers, returns to fight a new world order, in a modern world. When a S.H.E.I.L.D. colleague is attacked, Rodgers joins forces with Natasha, The Black Widow and Sam Wilson, The Falcon, as H.Y.D.R.A., once again tries to dominate the planet.

 

CAST:

Chris Evans as Captain America, Scarlett Johansson as The Black Widow, Anthony Mackie as The Falcon, Sebastian Stan as Bucky Barnes, Samuel L. Jackson as Nick Fury, Robert Redford as Alexander Pierce

 

Review: In the much anticipated return of Captain America, MARVEL has made one of the best movies so far, in their superhero war chest. The movie is non-stop action from beginning to end, the story is a tightly scripted action thriller, and there are enough laughs and back-story references to please any fan. In this sense the movie succeeds at bringing the old Captain America into relevance in today’s world.

The fun begins with a murder mystery, when Nick Fury is presumably assassinated; Captain America follows a trail with fellow agent The Black Widow. Along the way are many surprises and twists. His old friend Bucky Barnes returns as a ruthless assassin working for H.Y.D.R.A, with a mission to kill the good Captain. Steve Rodgers befriends a young soldier Sam Wilson, whom he trusts, and who admires him and his American values.

Robert Redford as Alexander Pierce represents S.H.E.I.L.D and is the money man who funds the operation through influencing a tight knit consortium of world leaders. Can he be trusted….? Is Nick Fury, really dead, will Bucky remember his friendship with Rodgers, will Stan Lee have a cameo?

In the bigger picture, Fury has built a secret arsenal underneath S.H.E.I.L.D headquarters. H.Y.D.R.A has been secretly funding the project through Pierce. When Fury figures this out, he confides in Rodgers and hands him a UBS storage disk that contains all of S.H.E.I.L.D’s secrets and in his presumably dying breath tells Rodgers not to trust anyone. The story continues along this line, as Rogers forms a team with Natasha and Sam.

There are cameo appearances by Gary Shandling, (comedian, The Gary Shandling Show) as a corrupt senator working for H.Y.D.R.A as well as the obligatory Stan Lee moment.

MARVEL stories always have a human touch and the relationships between the characters ring true. When The Black Widow flirts with the Captain, you can see what she is thinking inside. Rodgers is all about Truth, Justice and the American way and obviously thrives on trust and loyalty, Fury is all about distrust, protecting freedom and always ready to fight. The newbie to this scenario is Sam Wilson, The Falcon, whose loyalty to the Captain’s cause makes him a trusted and valuable friend.

This is a story loaded with intrigue; in fact some of the gadgets and technology are slightly reminiscent of James Bond films. The film has left enough loose ends to make a sequel, as with all good movie franchises, it also ties up the some unanswered questions from the first movie.

I must say, watching Robert Redford play the heavy, with his charm and understatement, makes him more insidious as opposed to over the top as most Bond villains are. He was perfectly cast and just how insidious he is, surprises you at various tense moments throughout the story.

I saw the 3D version of this movie and felt the effect never distracted, that said, the movie would be just as enjoyable with or without the 3D.

I hope MARVEL can keep up the good works and future movies in the franchise, such as the AVENGERS sequel, will live up to the bar as raised by this one.

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The Muppets Most Wanted

26 Mar

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Synopsis: While on tour in Europe, directly after the last movie ends, the Muppets find themselves involved in an international crime spree headed by Kermit look alike, the world’s # 1 criminal Constantine.

CAST
Kermit the Frog (Himself), Ricky Gervais (Dominic, a.k.a. Number Two), Miss Piggy (Herself), Ty Burrell (Jean Pierre Napoleon), Tina Fey (Nadya), Constantine (Himself) and Sam Eagle (Himself).

REVIEW: The Muppets return in The Muppets Most Wanted. This film is the most fun I have had the movies in a long time. They’re all there, Kermit, Fozzy, Miss Piggy, Rolf the Dog, The Swedish Chef, Dr. Teeth and Company, Animal , Gonzo etc. etc. . From the opening musical number to the end credits, this is Muppet mayhem that Jim Henson would be proud of.
The plot centers on the Muppets not sure what to do after the end of the last film, hire tour manager (Ricky Gervais) Dominic Badguy (pronounced badgee, it’s French). They prepare for a world tour when the worlds number 1 criminal, Constantine, a dead ringer for Kermit, except for a black mole on his face, escapes a Siberian Gulag. In cahoots with world’s number 2 criminal, Dominic Badguy, of course, they kidnap Kermit in Berlin, Germany, while the rest of the Muppets are rehearsing their show. Kermit is mistaken for Constantine, after a black mole is secretly attached to his face, is taken to the Siberia gulag, while Constantine tries to pass as Kermit. Constantine’s constant struggles with perfecting both Kermit’s unique voice and style are hilarious. Apparently only Animal thinks Constantine is, “Bad Kermit!, Bad Kermit!”, no one else suspects. The newest addition to the Muppets Waldo , so awed by Kermit, suspects something is wrong, but lacks the confidence to tell anyone. Waldo has heart and determination and comes through, with the help of Fozzy and Animal of course.
Tina Fey plays Nadia, a guard at the gulag; she is a big fan of Kermit and secretly loves him. Fey gives a bravura performance; she is hilarious, charismatic and steals every scene she is in. I can’t say enough about how she builds everything she says and does to comic delight. Considering we are in a time in history when Russian leader Vladimir Putin has just invaded Crimea, the timing of this movie is in fact just the tonic the world needs to see how insidious Russian politics can be. The Siberian Gulag is depicted as bleak as in any movie. I think Mel Brooks couldn’t have satirized the Russians any better than the Muppets did.

On the trail of Constantine is Jean Pierre Napoleon (Ty Burrell), a French Interpol detective who works together with Muppet, Sam Eagle. Napoleon is very much like Inspector Clouseau with outrages French accent and bumbling.
With any good Muppet feature there come a slew of famous cameos, they include, Tony Bennett, Lady Gaga, Downton Abbey’s Hugh Bonneville, Sean “Diddy” Combs, Zack Galafinakis, Josh Groban as a maximum security prisoner at the gulag, Frank Langella, Christoph Waltz, doing a waltz with Sweetums, Salma Hayeck, Danny Tucci as a gulag guard, and Usher as what else a theater usher and Ray Liotta. Celine Dion plays Miss Piggy’s fairy Godmother in a duet together that will have you in tears with laughter. There 24 cameos, half the fun is seeing who you can spot.
The music is spot on; at times the songs are filled with humor and fun. There is enough music, laughs and excitement to hold the attention of any child, and more than enough irreverent references and gags to delight the adults as well. Even the end credits complete with budgetary references is worth watch. This one of the few times the sequel is better than the reboot. They even joke about the reboot and they are very self aware of being in a sequel. To quote Animal: “See movie, see movie, see movie!”
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12 Years a Slave

17 Feb

12 Years a Slave

Synopsis:  In pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty at the hands of a malevolent slave owner, as well as unexpected kindnesses, Solomon struggles not only to stay alive, but to retain his dignity. In the twelf… Moreth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist will forever alter his life.

 CAST

Chiwetel Ejiofor (Solomon Northup)

 Michael Fassbender (Edwin Epps)

 Benedict Cumberbatch (Ford)

 Paul Dano (Tibeats)

 Garret Dillahunt (Armsby)

 Paul Giamatti (Freeman)

 Scoot McNairy (Brown)

 Lupita Nyong’o (Patsey)

 Adepero Oduye (Eliza)

 Sarah Paulson (Mistress Epps)

 Brad Pitt (Bass)

 Michael Kenneth Williams (Robert)

 Alfre Woodard (Mistress Shaw)

 Chris Chalk (Clemens)

 Taran Killam (Hamilton)

 Bill Camp (Radburn).

 Review:  Steve McQueen directs the story Solomon Northup, and gives us a compelling, unrelenting tale of abduction and slavery in pre-civil war years starting in 1841. The film is based on Northup’s memoirs entitled, “12 Years a Slave, Narrative of Solomon Northup, a Citizen of New-York, Kidnapped in Washington City in 1841, and Rescued in 1853, From a Cotton Plantation Near the Red River, in Louisiana.”

Chiwetel Ejifor plays Northup as both a slave and an outside witness looking in. He does what he has to survive, thinking only of contacting his family left behind and his friends up north who can help him. He is abducted  in Washington, DC and sold by an English slave trader named Freeman. (Paul Giamatti). His first master Ford is played by Benedict Cumberbatch. Ford has sympathy for the slaves but is helpless and can do nothing for them. He favors Northup and grants him every courtesy. During his time with ford he is taunted by the Ford’s overseer. When Northrup fights back, the overseer strings him up on a tree. It takes hours for Ford to come to his rescue, McQueen prolongs the shots of Northup hanging there, sweating in the sun with little water. Ford has no choice but to sell Northup in order to save his life. It is with his next Master, Edwin Epps (Michael Fassbender), a mean, drunk, piggish, bigoted cotton plantation owner, that we see the reality of slave ownership in the deep south.

Lupita Nyong’o plays a slave girl named Patsey who Epps favors and Epps wife despises. She puts up with all manner of shame in order to survive. Nyong’o gives a bravura performance that tugs at your sympathies as she is whipped half to death at Epps’ wife’s request over a bar of soap.

Northup has a chance meeting with a Canadian Abolitionist, Bass (Brad Pitt) who after hearing Northup’s story sets the wheels in motion to get him released and sent home to his family.

McQueen breaks every Hollywood convention about slavery; this is no Gone with the Wind, or say The Little Rebel with Billy (Bojangles) Robinson tap dancing up a staircase with Shirley Temple. We see whippings, hangings and rape in a ways that are hard to take, but the restraint shown by Northup in long shots focused on his face as he internalizes his predicament, puts a human face on the chaos making it easier to swallow. You might say the same thing about Liam Neeson’s  performance as Oscar Schindler in Spielberg’s Schindler’s List.

The movie is harrowing, brilliant and a contender for a best picture Oscar.

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The Monuments Men

17 Feb

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Synopsis:  Directed by George Clooney and based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on an unlikely World War II platoon, tasked by FDR with going into Germany to rescue artistic masterpieces from Nazi thieves and returning them to their rightful owners. It would be an impossible mission: with the art trapped behind enemy lines, and with the German army under orders to destroy everything as the Reich fell, how could these guys – seven museum directors, curators, and art historians, all more familiar with Michelangelo than the M-1 – possibly hope to succeed? But as the Monuments Men, as they were called, found themselves in a race against time to avoid the destruction of 1000 years of culture, they would risk their lives to protect and defend mankind’s greatest achievements.

 CAST

George Clooney (Frank Stokes)

 Matt Damon (James Granger)

 Bill Murray (Richard Campbell)

 John Goodman (Walter Garfield)

 Jean Dujardin (Jean Claude Clermont)

 Bob Balaban (Preston Savitz)

 Hugh Bonneville (Donald Jeffries)

 Dimitri Leonidas (Sam Epstein),

 Cate Blanchett (Claire Simone)

 Holger Handtke (Colonel Wegner)

REVIEW: George Clooney has directed a likeable film, in the old school, familiar style reminiscent say of a Guns of Navorone. George, (Frank Stokes),  leads his band of men through Europe during the last days of World War II. His job, as assigned by President Franklin Roosevelt, was to find and return the world’s art and cultural treasures, stolen by the Nazis under Hitler’s orders. It reminds us that Hitler didn’t just want to kill the Jews but destroy their culture and any knowledge of their existence off the face of the Earth. Most of the art was owned by private Jewish collectors, and Jewish families, past down generation to generation, the art priceless, the cost of lives, infamous, heinous and we must never forget the result of the Nazi holocaust.

In the telling of the tale, Clooney treaded the fine line of heavy handedness and lightheartedness. Given the implications of the subject matter these are hard issues to navigate and in this regard the movie becomes uneven. The film remains buoyant by the all star cast, Cate Blanchett as Claire Simone a Parisian who is forced to document every art piece taken by the Germans, also works for the French Resistance. Her performance transcends the material she is given and you understand her as she trusts no one, even Matt Damon, (James Granger), who tries to enlist her help for the Monuments men. Bill Murray, John Goodman, Bob Balaban and Jean Dujardin add to the light heartedness of the characters, their mission is clear and they are all experts in their creative fields. Each one has an ironic sense of duty vs. reality.  Murray and Balaban are experts at playing irony and are a joy to watch. John Goodman is always winning and teaming him with Jean Dujardin works on so many levels.

Hugh Bonneville, (Donald Jeffries) is the British counterpart who works with the Monuments Men, and is a friend of Clooney’s. Clooney enlists him as a way of saving him from a fall from grace he has had with bouts of alcoholism. Bonneville, who is so wonderful in Downton Abbey, adds certain class to the film as he tries to recover Michelangelo’s,  Madonna and Child statue.

The story becomes a race against time as the Monuments Men  must recover the last of the art before the Russian Army takes claim to it for war reparations caused by the lives lost by the war. The story could have been more involving, the pace perhaps a little quicker as the sense of urgency, however, the Monuments Men is a good story and deserves a look-see just to be reminded of what could have been, if not for brave men and freedom fighters, like these.

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Nebraska

28 Jan

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SYNOPSIS: Director Alexander Payne (Sideways, The Descendants) takes the helm for this black and white road trip drama starring Bruce Dern as a tempestuous Missouri father who’s convinced he’s won a million dollar magazine sweepstakes, and Will Forte as the son who grudgingly agrees to drive him to Nebraska to claim his winnings.

CAST

Bruce Dern – Woody Grant

Will Forte – David Grant

Bob Odenkirk – Ross Grant

Stacy Keach – Ed Pegram

June Squibb – Kate Grant

Devin Ratray – Cole

Mary Louise Wilson – Mrs. Grant

Rance Howard – Uncle Ray

REVIEW:  Nebraska, directed by Alexander Payne, tells an American tale, of Woody Grant, played by Bruce Dern, as an old timer who believes he has won a million dollars from a magazine sweepstakes. The story is filmed in black and white, and takes on a journey through the bleak Midwest. Grant is stubborn and willing to walk from his home in Omaha to Nebraska to claim his winnings. His son  David begrudgingly agrees to drive Woody, and an journey of family discovery and Woody’s past unfolds. Bruce Dern’s portrayal alone is enough to see the film, the icing on the cake is the bleak journey of discovery and family secrets we are taken on. The “Grapes of Wrath Setting” adds to the determination of Woody as he slowly but surely gets to his destination of Lincoln, Nebraska. This is a post modern depression tale of middle America as it is today, you might say an up to date American Gothic. This is wonderful cinema and aside from Dern’s tour de force acting, the rest of the cast is a delight as well.

June Squibb plays Kate Grant, the exasperated wife of Woody. She is at her wits end with Woody’s antics and wants him in a home so someone else can watch him. Her portrayal is humorous, real and at times a bit saucy. You can’t help but love her for being outspoken.

Will Forte portrays David Grant, Woody’s youngest son, who reluctantly agrees he should take his father to Lincoln knowing the letter was a scam. David and his father learn to get along during the journey, they drink together, and David even put’s up with his father’s demands. David is determined to either make his dad face reality about the million or see him through to the end of his dream.

Stacy Keach plays Ed Pegram, Woody’s ex-partner in a car mechanic shop in Woody’s home town of Hawthorne Nebraska. Ed is convinced Woody is rich and wants to $10,000 in reparations from all the business that was lost over the years from Woody’s drinking and screw ups.

Rance Howard plays Ray, Woody’s brother and the two hardly say two words together, apparently they have nothing to talk about. Their moments together are comical and paint an unflattering family portrait.

As David and Woody visit the town of Hawthorne, Woody spills the beans about the million, he has been drinking and boasts a little about the letter. When word gets out Woody is rich, although not really the whole town treats him like a celebrity.

The following day, Ross, Woody’s other son portrayed by Bob Odenkirk and Woody’s wife Kate arrive in Haawthorne. They all try to cope with dad being the town celebrity as Woody just can’t wait to go to Nebraska and claim his fortune.

The film has won many accolades since its’ release, including The American Film Institute calling it one of the top ten films of the year and Bruce Dern has been nominated for the Best Actor Oscar.

Recommended: camera-film-icon11camera-film-icon11camera-film-icon11camera-film-icon11camera-film-icon11

Blue Jasmine

2 Aug

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CAST

Alec Baldwin-Hal

Cate Blanchett-Jasmine

Louis C. K.-Al

Bobby Cannavale-Chili

Andrew Dice Clay-Augie

Sally Hawkins-Ginger

Peter Sarsgaard-Dwight

Michael Stuhlbarg-Dr. Flicker

Review: Written and Directed by Woody Allen, Blue Jasmine is Allen’s modern telling of Streetcar named Desire.  It is the story of a fallen Manhattan socialite, Jasmine (Blanchett) who moves in with her sister Ginger(Hawkins) after she loses all her money and social standing  because of her investment broker husband  Hal’s  (Baldwin) dirty investment dealings.

Jasmine’s state is post nervous breakdown and when she arrives in San Francisco she is a fish out of water. On the plane ride from NY to California she is talking to herself and the poor lady sitting next to her politely listens. Jasmine arrives at her sister’s home in Frisco’s mission district she asks a stranger  “Where am I exactly.”   This where the story begins and we realize Jasmine is over the edge and hides it by drinking vodka and downing xanax. Blanchette’s performance is masterful as Jasmine clutches to whatever dignity she has left.

Baldwin’s Hal is cold calculating, manipulative and charming. He gives Jasmine the dream life of jewels, furs, a Park Avenue address, a beach house in the Hamptons she has all the superficial trappings and spoils a woman can want. Hal is a philanderer, lives off the spoils of other people’s money and doesn’t care who he brings down to get it. He charms his way all the way into ruination ala Bernie Madoff.

The Stanley Kowalskis’ in this scenario are Jasmin’s sister’s ex-husband Augie, played by Andrew Dice Clay, he nails it, and Chili, Ginger’s new boyfriend played by Bobby Cannavale.

The story is told in flashbacks as Jasmin relives the past in her rantings, as much as she tries to reconcile what she has become each passing day she is haunted by her past. Blanchett’s mood swings are so real as she navigates from sober then drunk to passive on the pills. You are pulled along for the ride and her performance  is the best I ever have seen her do. Allen is known for writing great parts for woman and this role is no exception.

This is Allen’s strongest movie since Match Point and proves once again what a prolific film maker he is. The movie never uses humor as gag  style comedy, the moments of humor scattered throughout come organically from the situations Jasmine finds herself in and the self delusion that goes along with it. You hope throughout that Jasmine’s can turn her life around.

There are moments when you realize that Jasmine’s breakdown has an underlying feeling of betrayal, is she betraying herself, is she hiding a secret, was it Hal’s betrayal and philandering that put her over the edge. Allen who loves Ingmar Bergman’s films, gives this story a  tragic Bergamanesque take on the human condition in the way the film deconstructs inch after fragile inch of Jasmine’s character. Blanchett reveals enough of Jasmine’s demons to root for her to change. Jasmine is in such deep denial that when she castigates her sister for having such losers as a husband and boyfriend, you can’t help but think that she is actually talking about her own situation.

The way Allen writes each character none of them fall into charactures or exaggerations, he pulls great performances out of all his cast members.

This is one of Allen’s finest films and it is apparent Allen is still at the peak of his story telling powers. Blanchett is a tour-de-force and shows us why we like to go to the movies in the first place. I am sure she will see a best actress nod for this one.

 

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The Lone Ranger

7 Jul

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Cast

Johnny Depp-Tonto

Armie Hammer-John Reid, a k a the Lone Ranger

Tom Wilkinson-Latham Cole

William Fichtner-Butch Cavendish

Barry Pepper-Capt. Fuller

James Badge Dale-Dan Reid

Ruth Wilson-Rebecca Reid

Helena Bonham Carter-Red Harrington

Saginaw Grant-Chief Big Bear

Review: Being a confirmed baby boomer I remember the legend of The Lone Ranger and Tonto, with a mighty hi-ho silver away and the William Tell overture bringing nostalgic memories of television shows past. Before the The Lone Ranger was part of the television landscape his stories came on the heels of the great depression, and at the time was a popular adventure radio broadcast. The series in both cases were rife with cowboy and Indian stereotypes, despicable villains and reflected a time that many people today would consider politically incorrect. The question then remains how do you bring the archaic to modern audiences in a way that can be appreciated by today’s young demographic and please those of us who grew up with the legend? Perhaps the answer comes in the form of one Johnny Depp, in his role of Tonto, an aging Indian, with a dead crow on his head, telling a child at a western carnival side show the true origin of The Lone Ranger. The carnival is in San Francisco in the year 1933, not coincidently I presume, the year the radio show was first broadcast.

As the boy wonders into the tent to see western history come alive, he wanders passed the stuffed bears and animals and comes to a statue of a native American, the plaque on the front of the window reads The Noble Savage in his native habitat. Underneath the wrinkly prosthetics is Johnny Depp as Tonto, not unlike Dustin Hoffman’s old man in the film, Little Big Man. The boy hangs on Tonto’s every word as the story begins in flashback.

The story centers around the building of the Trans-Continental railway through the old west. There are corrupt officials, Tom Wilkinson as Latham Cole, bad guys such as the Butch Cavendish gang, warring Indian tribes, Cavalry officers, explosions, love interest, Ruth Wilson as Rebecca Reid, golden hearted prostitutes on the side of good, Helen Bohnham Carter as Red Harrington, Tonto as a crazy Indian excommunicated from his tribe who becomes a crazy mentor to John Reid a.k.a. he Lone Ranger.

Gore Verbinski directed from a script by, Justin Haythe, Ted Elliott and Terry Rossio. The film mixes witty verbiage, cliché’ bashing, the William Tell Overture beautifully interpolated into the score at appropriate times, spot gags and plenty of eye candy. The film pays homage to such directors as John Ford in its use of Monument Valley for location shooting, Buster Keaton’s the General and of course to the mythos behind The Ranger’s physics defying horse Silver.

The film comes across as extremely entertaining but is in truth a mixed bag. With all the attempt to give the past versions of the myth a modern twist neither is really served. There were times that the film’s homage worked so well you can’t help but smile and say yes, but alas those moments are brief and the amount of well edited bloodshed mixed with witty banter distracts rather than invites.

In the end the film is a worthy attempt, and with all the Pirates Of the Caribbean movie sequels it is nice to watch Depp having the time of his life playing yet another eccentric outcast. So if the old question was “Who was that masked man?” the new question as written into the script is, “What’s with the mask?”

FYI: There is a scene of a child being hit across the face, it is well edited but still may be intense for younger children, be warned

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