Tag Archives: Bill Murray

GHOSTBUSTERS 2016

18 Jul

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  • Director Paul Feig
  • Writers Katie Dippold, Paul Feig
  • Stars Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth

 

REVIEW:

Seeing any reboot these days especially one that had such a negative reaction way before it was released, is a risk considering Ghostbusters is such a beloved movie, but I ain’t afraid of no ghosts! That said, if you take four of the funniest ladies on the planet mix them with cameo’s by the original cast sans the deceased Harold Ramis, and Rick Moranis, add at times belly laughs, clever visual gags and witty dialogue you have a winner, that pays homage to the original.

First off Kate McKinnon is the star of this film with the hilarious character of the nerdy, obsessed with building gadgetry, techno babbling scientist, Jillian Holtzman. Her timing her facial expressions her commitment to the role from the moment she steps on screen to her battling with ghosts is just hilarious. She is obviously SNL’s break out star and this role just proves the point. Kristin Wiig plays scientist Erin Gilbert and she being left in the dust, by having to play straight woman to the rest of the cast, does not have enough funny moments, although her getting slimed every ten minutes is funny I wish they gave her more to do. Melissa McCarthy plays paranormal specialist Abby Yates former roommate and friend to Gilbert. McCarthy’s comic timing is impeccable and when she worked with McKinnon many belly laughs ensue. Leslie Jones plays Patty Tolan and is very funny as an extension of her SNL persona, the loudmouth woman who knows she’s right even when she’s not. The chemistry between the four of them really works well with McKinnon the stand-out. Bill Murray plays Martin Heiss, a professional debunker of the paranormal and has the best cameo, Dan Ackroyd, Annie Potts, a bust of Harold Ramis and Sigourney Weaver also appear in the film. Each one having a small but funny cameo. Chris Hemsworth plays Kevin the ditzy hunk receptionist for the Ghostbusters, you can tell he had a blast playing the role and enjoyed making fun of his own screen image. Stay for the end credits because it is a follow up of events that occur after the last scene, this also where you will see Weaver’s cameo. I give the film three and a half stars for director Paul Feig’s vision although not up to the original the film is fun and worth a look-see.

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Disney’s The Jungle Book

17 Apr

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Disney’s The Jungle Book.  First off it is safe to say this movie is less about Disney’s Jungle Book the animated version (1967) as much as it pays more attention to Rudyard Kiplings book.

The new version is live action with amazing CGI that brings you right in to the Jungle world of man-cub Mowgli, played well by new comer, Neel Sethi. The film has a PG rating and some scenes might be a bit too realistic for the very young. The casting is superb, Ben Kingsly as Bagheera the panther who found Mowgli as an infant and gave him to the wolves to raise as their own, Lupito Nyong’o plays the Raksha Mowgli’s wolf mother, Idris Elba as Shere Khan the tiger who wants Mowgli dead, Scarlette Johansson as the snake Kaa, Christopher Walken as King Louis the King of the apes, and the wonderful Bill Murray as Baloo the bear.
The only resemblance to the animated version is three songs lifted from that film:
1: Bill Murray as Baloo in an effort to befreind Mowgli after enlisting him into retreaving honey for him from live bees nests, sings the song Bear Neccesities with Mowgli. Rather than a disconnected musical number, Murray plays it as way to understand Baloo’s character and give dimension to his relationship with Mowgli. Not only is it pure Murray but it is a joy to watch, like a peacful float down a river.
2. When we first meet Christopher Walken as King Louis sitting on a throne in an ancient jungle temple, he comes across as The Godfather with a hidden agenda. He sings I Want To Be Like You so incidiously ,telling of his plot to get the red flower (FIRE), from the man-cub so he can take power and control the jungle, you can only think what a perfect choice he was to play the part. He sings it in a way that let’s you see inside him and understand just how power hungry and crazy he is. Not unlike any dictator he uses his underlings to capture the man-cub so they can negotiate face to face.
3. Lastly stay for the end credits, because there is a lot going on, a reprise of I want To Be Like You and the third song, Trust In Me sung by Kaa.
The film is a winner all around and incidently it is also Gary Shandlings last film he plays a minor character Ikki the Porcupine. (Very well too I might add.)
I saw it in 3D and the world you are drawn into like Avatar before it is complete and all consuming. Go and enjoy.

The Grand Budapest Hotel

28 Mar

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Synopsis: THE GRAND BUDAPEST HOTEL recounts the adventures of Gustave H, a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend. The story involves the theft and recovery of a priceless Renaissance painting and the battle for an enormous family fortune — all against the back-drop of a suddenly and dramatically changing Continent. (c) Fox Searchlight

 

CAST

Ralph Fiennes (M. Gustave), Tony Revolori (Zero), F. Murray Abraham (Mr. Moustafa), Mathieu Amalric (Serge X.), Adrien Brody (Dmitri), Willem Dafoe (Jopling), Jeff Goldblum (Deputy Kovacs), Harvey Keitel (Ludwig), Jude Law (Young Writer), Bill Murray (M. Ivan), Edward Norton (Henckels), Saoirse Ronan (Agatha), Jason Schwartzman (M. Jean), Léa Seydoux (Clotilde), Tilda Swinton (Madame D.), Tom Wilkinson (Author), Bob Balaban (M. Martin) and Owen Wilson (M. Chuck).

 

 

Review: Directed by Wes Anderson , this is a hilarious, complex and quirky exercise into the creative mind of the director. Anderson’s eye for the absurd and small moments, fills the screen, and captivates. The story takes place in a pre-Nazi European country around 1932. Anderson uses the film aspect ratio of the time period, no widescreen here, as both a tip of the hat to the time and a way of making the unfolding events a more intimate visual experience.

Gustave H. (Fiennes) is the legendary concierge of the Grand Budapest Hotel. He is a survivor and lives in a world of his own design. He sleeps with rich widows who inhabit the hotel, it is alluded to that he is bi-sexual and he certainly brings order to the chaotic world he has created. Zero Moustafa, (Revolori) a new foreign lobby boy, becomes Gustave H.’s trusted friend and protégé.

Madame D., (Swinton) is a rich dowager who leaves her lover Gustave H. a priceless renaissance painting. When he hears of her death he arrives at her home for the reading of the will. The family members are evil, greedy and would kill each other to attain her wealth. Gustave with the aid Zero steals the painting and a hilarious and complex series of events ensues. Was the Dowager murdered for her money? Will Gustave rot in jail for taking the painting. Will Zero, who is in love with a pastry chef , Agatha, (Ronan) ever find happiness? Etc etc.

The ensemble cast has been seen in other Anderson films, they include the always brilliant, Bill Murray, Bob Balaban, most recently seen in the film, Monuments Men, F. Murray Abraham as Mr. Mustafa, the teller of the tale, Jude Law, (a young writer), Tom Wilkonson, (author of the book about the hotel), Jeff Goldblum (Deputy Kovacs) , the executor of Madame D.’s estate, Willem Defoe (Joplin) the family hit man, Harvey Keitel (Ludwig) a hardened criminal Gustave meets in jail, and Bob Balaban (M. Martin) a fellow concierge and friend of Gustave.

The story, albeit complex, is moving , clever and filled with visual delights. The film is loaded with unique Anderson visual moments, my favorite being, Keitel and company digging out of the jail with mini pickaxes and hammers provided by Agatha inside pastry she sent from her employer, Mendel’s Pastries. Anderson plants his camera dead center in all these moments, this way the frame is centered as little cameo moments play out, interspersed at various moments throughout. I certainly look forward to Anderson’s future mini epics of quirkiness. The Grand Budapest Hotel is well worth the trip.

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The Monuments Men

17 Feb

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Synopsis:  Directed by George Clooney and based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on an unlikely World War II platoon, tasked by FDR with going into Germany to rescue artistic masterpieces from Nazi thieves and returning them to their rightful owners. It would be an impossible mission: with the art trapped behind enemy lines, and with the German army under orders to destroy everything as the Reich fell, how could these guys – seven museum directors, curators, and art historians, all more familiar with Michelangelo than the M-1 – possibly hope to succeed? But as the Monuments Men, as they were called, found themselves in a race against time to avoid the destruction of 1000 years of culture, they would risk their lives to protect and defend mankind’s greatest achievements.

 CAST

George Clooney (Frank Stokes)

 Matt Damon (James Granger)

 Bill Murray (Richard Campbell)

 John Goodman (Walter Garfield)

 Jean Dujardin (Jean Claude Clermont)

 Bob Balaban (Preston Savitz)

 Hugh Bonneville (Donald Jeffries)

 Dimitri Leonidas (Sam Epstein),

 Cate Blanchett (Claire Simone)

 Holger Handtke (Colonel Wegner)

REVIEW: George Clooney has directed a likeable film, in the old school, familiar style reminiscent say of a Guns of Navorone. George, (Frank Stokes),  leads his band of men through Europe during the last days of World War II. His job, as assigned by President Franklin Roosevelt, was to find and return the world’s art and cultural treasures, stolen by the Nazis under Hitler’s orders. It reminds us that Hitler didn’t just want to kill the Jews but destroy their culture and any knowledge of their existence off the face of the Earth. Most of the art was owned by private Jewish collectors, and Jewish families, past down generation to generation, the art priceless, the cost of lives, infamous, heinous and we must never forget the result of the Nazi holocaust.

In the telling of the tale, Clooney treaded the fine line of heavy handedness and lightheartedness. Given the implications of the subject matter these are hard issues to navigate and in this regard the movie becomes uneven. The film remains buoyant by the all star cast, Cate Blanchett as Claire Simone a Parisian who is forced to document every art piece taken by the Germans, also works for the French Resistance. Her performance transcends the material she is given and you understand her as she trusts no one, even Matt Damon, (James Granger), who tries to enlist her help for the Monuments men. Bill Murray, John Goodman, Bob Balaban and Jean Dujardin add to the light heartedness of the characters, their mission is clear and they are all experts in their creative fields. Each one has an ironic sense of duty vs. reality.  Murray and Balaban are experts at playing irony and are a joy to watch. John Goodman is always winning and teaming him with Jean Dujardin works on so many levels.

Hugh Bonneville, (Donald Jeffries) is the British counterpart who works with the Monuments Men, and is a friend of Clooney’s. Clooney enlists him as a way of saving him from a fall from grace he has had with bouts of alcoholism. Bonneville, who is so wonderful in Downton Abbey, adds certain class to the film as he tries to recover Michelangelo’s,  Madonna and Child statue.

The story becomes a race against time as the Monuments Men  must recover the last of the art before the Russian Army takes claim to it for war reparations caused by the lives lost by the war. The story could have been more involving, the pace perhaps a little quicker as the sense of urgency, however, the Monuments Men is a good story and deserves a look-see just to be reminded of what could have been, if not for brave men and freedom fighters, like these.

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