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GHOSTBUSTERS 2016

18 Jul

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  • Director Paul Feig
  • Writers Katie Dippold, Paul Feig
  • Stars Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth

 

REVIEW:

Seeing any reboot these days especially one that had such a negative reaction way before it was released, is a risk considering Ghostbusters is such a beloved movie, but I ain’t afraid of no ghosts! That said, if you take four of the funniest ladies on the planet mix them with cameo’s by the original cast sans the deceased Harold Ramis, and Rick Moranis, add at times belly laughs, clever visual gags and witty dialogue you have a winner, that pays homage to the original.

First off Kate McKinnon is the star of this film with the hilarious character of the nerdy, obsessed with building gadgetry, techno babbling scientist, Jillian Holtzman. Her timing her facial expressions her commitment to the role from the moment she steps on screen to her battling with ghosts is just hilarious. She is obviously SNL’s break out star and this role just proves the point. Kristin Wiig plays scientist Erin Gilbert and she being left in the dust, by having to play straight woman to the rest of the cast, does not have enough funny moments, although her getting slimed every ten minutes is funny I wish they gave her more to do. Melissa McCarthy plays paranormal specialist Abby Yates former roommate and friend to Gilbert. McCarthy’s comic timing is impeccable and when she worked with McKinnon many belly laughs ensue. Leslie Jones plays Patty Tolan and is very funny as an extension of her SNL persona, the loudmouth woman who knows she’s right even when she’s not. The chemistry between the four of them really works well with McKinnon the stand-out. Bill Murray plays Martin Heiss, a professional debunker of the paranormal and has the best cameo, Dan Ackroyd, Annie Potts, a bust of Harold Ramis and Sigourney Weaver also appear in the film. Each one having a small but funny cameo. Chris Hemsworth plays Kevin the ditzy hunk receptionist for the Ghostbusters, you can tell he had a blast playing the role and enjoyed making fun of his own screen image. Stay for the end credits because it is a follow up of events that occur after the last scene, this also where you will see Weaver’s cameo. I give the film three and a half stars for director Paul Feig’s vision although not up to the original the film is fun and worth a look-see.

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The Grand Budapest Hotel

28 Mar

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Synopsis: THE GRAND BUDAPEST HOTEL recounts the adventures of Gustave H, a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend. The story involves the theft and recovery of a priceless Renaissance painting and the battle for an enormous family fortune — all against the back-drop of a suddenly and dramatically changing Continent. (c) Fox Searchlight

 

CAST

Ralph Fiennes (M. Gustave), Tony Revolori (Zero), F. Murray Abraham (Mr. Moustafa), Mathieu Amalric (Serge X.), Adrien Brody (Dmitri), Willem Dafoe (Jopling), Jeff Goldblum (Deputy Kovacs), Harvey Keitel (Ludwig), Jude Law (Young Writer), Bill Murray (M. Ivan), Edward Norton (Henckels), Saoirse Ronan (Agatha), Jason Schwartzman (M. Jean), Léa Seydoux (Clotilde), Tilda Swinton (Madame D.), Tom Wilkinson (Author), Bob Balaban (M. Martin) and Owen Wilson (M. Chuck).

 

 

Review: Directed by Wes Anderson , this is a hilarious, complex and quirky exercise into the creative mind of the director. Anderson’s eye for the absurd and small moments, fills the screen, and captivates. The story takes place in a pre-Nazi European country around 1932. Anderson uses the film aspect ratio of the time period, no widescreen here, as both a tip of the hat to the time and a way of making the unfolding events a more intimate visual experience.

Gustave H. (Fiennes) is the legendary concierge of the Grand Budapest Hotel. He is a survivor and lives in a world of his own design. He sleeps with rich widows who inhabit the hotel, it is alluded to that he is bi-sexual and he certainly brings order to the chaotic world he has created. Zero Moustafa, (Revolori) a new foreign lobby boy, becomes Gustave H.’s trusted friend and protégé.

Madame D., (Swinton) is a rich dowager who leaves her lover Gustave H. a priceless renaissance painting. When he hears of her death he arrives at her home for the reading of the will. The family members are evil, greedy and would kill each other to attain her wealth. Gustave with the aid Zero steals the painting and a hilarious and complex series of events ensues. Was the Dowager murdered for her money? Will Gustave rot in jail for taking the painting. Will Zero, who is in love with a pastry chef , Agatha, (Ronan) ever find happiness? Etc etc.

The ensemble cast has been seen in other Anderson films, they include the always brilliant, Bill Murray, Bob Balaban, most recently seen in the film, Monuments Men, F. Murray Abraham as Mr. Mustafa, the teller of the tale, Jude Law, (a young writer), Tom Wilkonson, (author of the book about the hotel), Jeff Goldblum (Deputy Kovacs) , the executor of Madame D.’s estate, Willem Defoe (Joplin) the family hit man, Harvey Keitel (Ludwig) a hardened criminal Gustave meets in jail, and Bob Balaban (M. Martin) a fellow concierge and friend of Gustave.

The story, albeit complex, is moving , clever and filled with visual delights. The film is loaded with unique Anderson visual moments, my favorite being, Keitel and company digging out of the jail with mini pickaxes and hammers provided by Agatha inside pastry she sent from her employer, Mendel’s Pastries. Anderson plants his camera dead center in all these moments, this way the frame is centered as little cameo moments play out, interspersed at various moments throughout. I certainly look forward to Anderson’s future mini epics of quirkiness. The Grand Budapest Hotel is well worth the trip.

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The Muppets Most Wanted

26 Mar

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Synopsis: While on tour in Europe, directly after the last movie ends, the Muppets find themselves involved in an international crime spree headed by Kermit look alike, the world’s # 1 criminal Constantine.

CAST
Kermit the Frog (Himself), Ricky Gervais (Dominic, a.k.a. Number Two), Miss Piggy (Herself), Ty Burrell (Jean Pierre Napoleon), Tina Fey (Nadya), Constantine (Himself) and Sam Eagle (Himself).

REVIEW: The Muppets return in The Muppets Most Wanted. This film is the most fun I have had the movies in a long time. They’re all there, Kermit, Fozzy, Miss Piggy, Rolf the Dog, The Swedish Chef, Dr. Teeth and Company, Animal , Gonzo etc. etc. . From the opening musical number to the end credits, this is Muppet mayhem that Jim Henson would be proud of.
The plot centers on the Muppets not sure what to do after the end of the last film, hire tour manager (Ricky Gervais) Dominic Badguy (pronounced badgee, it’s French). They prepare for a world tour when the worlds number 1 criminal, Constantine, a dead ringer for Kermit, except for a black mole on his face, escapes a Siberian Gulag. In cahoots with world’s number 2 criminal, Dominic Badguy, of course, they kidnap Kermit in Berlin, Germany, while the rest of the Muppets are rehearsing their show. Kermit is mistaken for Constantine, after a black mole is secretly attached to his face, is taken to the Siberia gulag, while Constantine tries to pass as Kermit. Constantine’s constant struggles with perfecting both Kermit’s unique voice and style are hilarious. Apparently only Animal thinks Constantine is, “Bad Kermit!, Bad Kermit!”, no one else suspects. The newest addition to the Muppets Waldo , so awed by Kermit, suspects something is wrong, but lacks the confidence to tell anyone. Waldo has heart and determination and comes through, with the help of Fozzy and Animal of course.
Tina Fey plays Nadia, a guard at the gulag; she is a big fan of Kermit and secretly loves him. Fey gives a bravura performance; she is hilarious, charismatic and steals every scene she is in. I can’t say enough about how she builds everything she says and does to comic delight. Considering we are in a time in history when Russian leader Vladimir Putin has just invaded Crimea, the timing of this movie is in fact just the tonic the world needs to see how insidious Russian politics can be. The Siberian Gulag is depicted as bleak as in any movie. I think Mel Brooks couldn’t have satirized the Russians any better than the Muppets did.

On the trail of Constantine is Jean Pierre Napoleon (Ty Burrell), a French Interpol detective who works together with Muppet, Sam Eagle. Napoleon is very much like Inspector Clouseau with outrages French accent and bumbling.
With any good Muppet feature there come a slew of famous cameos, they include, Tony Bennett, Lady Gaga, Downton Abbey’s Hugh Bonneville, Sean “Diddy” Combs, Zack Galafinakis, Josh Groban as a maximum security prisoner at the gulag, Frank Langella, Christoph Waltz, doing a waltz with Sweetums, Salma Hayeck, Danny Tucci as a gulag guard, and Usher as what else a theater usher and Ray Liotta. Celine Dion plays Miss Piggy’s fairy Godmother in a duet together that will have you in tears with laughter. There 24 cameos, half the fun is seeing who you can spot.
The music is spot on; at times the songs are filled with humor and fun. There is enough music, laughs and excitement to hold the attention of any child, and more than enough irreverent references and gags to delight the adults as well. Even the end credits complete with budgetary references is worth watch. This one of the few times the sequel is better than the reboot. They even joke about the reboot and they are very self aware of being in a sequel. To quote Animal: “See movie, see movie, see movie!”
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The Monuments Men

17 Feb

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Synopsis:  Directed by George Clooney and based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on an unlikely World War II platoon, tasked by FDR with going into Germany to rescue artistic masterpieces from Nazi thieves and returning them to their rightful owners. It would be an impossible mission: with the art trapped behind enemy lines, and with the German army under orders to destroy everything as the Reich fell, how could these guys – seven museum directors, curators, and art historians, all more familiar with Michelangelo than the M-1 – possibly hope to succeed? But as the Monuments Men, as they were called, found themselves in a race against time to avoid the destruction of 1000 years of culture, they would risk their lives to protect and defend mankind’s greatest achievements.

 CAST

George Clooney (Frank Stokes)

 Matt Damon (James Granger)

 Bill Murray (Richard Campbell)

 John Goodman (Walter Garfield)

 Jean Dujardin (Jean Claude Clermont)

 Bob Balaban (Preston Savitz)

 Hugh Bonneville (Donald Jeffries)

 Dimitri Leonidas (Sam Epstein),

 Cate Blanchett (Claire Simone)

 Holger Handtke (Colonel Wegner)

REVIEW: George Clooney has directed a likeable film, in the old school, familiar style reminiscent say of a Guns of Navorone. George, (Frank Stokes),  leads his band of men through Europe during the last days of World War II. His job, as assigned by President Franklin Roosevelt, was to find and return the world’s art and cultural treasures, stolen by the Nazis under Hitler’s orders. It reminds us that Hitler didn’t just want to kill the Jews but destroy their culture and any knowledge of their existence off the face of the Earth. Most of the art was owned by private Jewish collectors, and Jewish families, past down generation to generation, the art priceless, the cost of lives, infamous, heinous and we must never forget the result of the Nazi holocaust.

In the telling of the tale, Clooney treaded the fine line of heavy handedness and lightheartedness. Given the implications of the subject matter these are hard issues to navigate and in this regard the movie becomes uneven. The film remains buoyant by the all star cast, Cate Blanchett as Claire Simone a Parisian who is forced to document every art piece taken by the Germans, also works for the French Resistance. Her performance transcends the material she is given and you understand her as she trusts no one, even Matt Damon, (James Granger), who tries to enlist her help for the Monuments men. Bill Murray, John Goodman, Bob Balaban and Jean Dujardin add to the light heartedness of the characters, their mission is clear and they are all experts in their creative fields. Each one has an ironic sense of duty vs. reality.  Murray and Balaban are experts at playing irony and are a joy to watch. John Goodman is always winning and teaming him with Jean Dujardin works on so many levels.

Hugh Bonneville, (Donald Jeffries) is the British counterpart who works with the Monuments Men, and is a friend of Clooney’s. Clooney enlists him as a way of saving him from a fall from grace he has had with bouts of alcoholism. Bonneville, who is so wonderful in Downton Abbey, adds certain class to the film as he tries to recover Michelangelo’s,  Madonna and Child statue.

The story becomes a race against time as the Monuments Men  must recover the last of the art before the Russian Army takes claim to it for war reparations caused by the lives lost by the war. The story could have been more involving, the pace perhaps a little quicker as the sense of urgency, however, the Monuments Men is a good story and deserves a look-see just to be reminded of what could have been, if not for brave men and freedom fighters, like these.

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The Wolf of Wall Street

5 Feb

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Synopsis: Martin Scorsese directs the story of New York stockbroker Jordan Belfort. From the American dream to corporate greed, Belfort goes from penny stocks and righteousness to IPOs and a life of corruption in the late 80s. Excess success and affluence in his early twenties as founder of the brokerage firm Stratton Oakmont warranted Belfort the title “The Wolf of Wall Street.” — (C) Paramount

 CAST

Leonardo DiCaprio (Jordan Belfort)

Jonah Hill (Donnie Azoff)

Margot Robbie (Naomi)

Matthew McConaughey (Mark Hanna)

Kyle Chandler (Patrick Denham)

Rob Reiner (Max Belfort)

Jon Favreau (Manny Riskin)

Cristin Milioti (Teresa)

Jean Dujardin (Jean-Jacques Saurel)

REVIEW:  Martin Scorsese has directed a controversial, raw story, of greed, debauchery, and addiction, filled with humor, shock and  lots of sex thrown in. The story is based on the autobiographical book, The wolf of Wall Street by Jordan Belfort, the founder of the brokerage firm Stratton Oakmont.

Within the first few minutes, the film introduces us to Belfort, played brilliantly by Leonardo DiCaprio, he describes his life as images depict him snorting blow off the posterior end of a prostitute, crashing his helicopter down on the front lawn of his Long Island mansion  and various othe unbridled deeds of debauchery. The story grabs you and never lets  you go, it is at once comedic and tragic.

The film in flashback , recounts a young married Belfort getting his first job on wall street where his naiveté is obvious. His boss Mark Hanna, played by Matthew McConaughey, takes Belfort under his wings and explains the ropes of large commissions in what is possibly the funniest luncheon moment I have ever seen. Hanna starts to do a primal chant, to raise his energy and urges Belfort to do the same. He also urges Belfort to do cocaine as an brain opener followed by self release to temper the energy. The scene is hilarious and starts Belfort on his road to greed, addictions and debauchery.

When Belfort loses his job, due to the stock market crash of the 1980’s,  remembered as black Monday, he finds a job as a penny stock salesman in his home town on Long Island. He literally becomes their best salesman ever, 50% commissions on every sale, he decides to start his own company. He puts together a team of cronies and phonies, which also happen to be some of the best character actors around, the first person he recruits is a nebbish, Donnie Azoff, played hysterically by Jonah Hill. The two of them create an empire of selling selling junk stocks to the rich by first offering them blue chip stocks to gain their confidence. The commissions they make are staggering and the money seems to pour in.

Belfort creates the firm of  Stratton Oakmont as his success continues. He hires con-artists and salespeople with no brokerage background and makes them all millionaires with his schemes. As a reward he throws big parties with hookers, drinking ,drugs and becomes the leader and spokesman of his cult of believers.  His addictions grow exponentially with his power and greed, he and his cohorts partake in bacchanalian orgies, he downs Quaaludes like candy, divorces his home town wife, marries a super model, is stalked by the FBI for insider trading  and so on and so forth. Scorsese does not miss any sordid or hilarious detail. One question comes to mind, is this comedy about American business as usual?  If so, should we as a species ask ourselves what motivates people to act this way and is this a true look at who we really are?

The film never disappoints and has a energy and a style that only Scorsese can deliver. DiCaprio is becoming a true super-star and his bravura performance, supported by a superb ensemble of character actors, makes this a must see, to believe  film. Some people may be offended by the themes of misogyny and addiction, but the film does deliver with a one-two punch. The film has been nominated for a best picture Oscar for the upcoming 2014 academy awards.

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Nebraska

28 Jan

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SYNOPSIS: Director Alexander Payne (Sideways, The Descendants) takes the helm for this black and white road trip drama starring Bruce Dern as a tempestuous Missouri father who’s convinced he’s won a million dollar magazine sweepstakes, and Will Forte as the son who grudgingly agrees to drive him to Nebraska to claim his winnings.

CAST

Bruce Dern – Woody Grant

Will Forte – David Grant

Bob Odenkirk – Ross Grant

Stacy Keach – Ed Pegram

June Squibb – Kate Grant

Devin Ratray – Cole

Mary Louise Wilson – Mrs. Grant

Rance Howard – Uncle Ray

REVIEW:  Nebraska, directed by Alexander Payne, tells an American tale, of Woody Grant, played by Bruce Dern, as an old timer who believes he has won a million dollars from a magazine sweepstakes. The story is filmed in black and white, and takes on a journey through the bleak Midwest. Grant is stubborn and willing to walk from his home in Omaha to Nebraska to claim his winnings. His son  David begrudgingly agrees to drive Woody, and an journey of family discovery and Woody’s past unfolds. Bruce Dern’s portrayal alone is enough to see the film, the icing on the cake is the bleak journey of discovery and family secrets we are taken on. The “Grapes of Wrath Setting” adds to the determination of Woody as he slowly but surely gets to his destination of Lincoln, Nebraska. This is a post modern depression tale of middle America as it is today, you might say an up to date American Gothic. This is wonderful cinema and aside from Dern’s tour de force acting, the rest of the cast is a delight as well.

June Squibb plays Kate Grant, the exasperated wife of Woody. She is at her wits end with Woody’s antics and wants him in a home so someone else can watch him. Her portrayal is humorous, real and at times a bit saucy. You can’t help but love her for being outspoken.

Will Forte portrays David Grant, Woody’s youngest son, who reluctantly agrees he should take his father to Lincoln knowing the letter was a scam. David and his father learn to get along during the journey, they drink together, and David even put’s up with his father’s demands. David is determined to either make his dad face reality about the million or see him through to the end of his dream.

Stacy Keach plays Ed Pegram, Woody’s ex-partner in a car mechanic shop in Woody’s home town of Hawthorne Nebraska. Ed is convinced Woody is rich and wants to $10,000 in reparations from all the business that was lost over the years from Woody’s drinking and screw ups.

Rance Howard plays Ray, Woody’s brother and the two hardly say two words together, apparently they have nothing to talk about. Their moments together are comical and paint an unflattering family portrait.

As David and Woody visit the town of Hawthorne, Woody spills the beans about the million, he has been drinking and boasts a little about the letter. When word gets out Woody is rich, although not really the whole town treats him like a celebrity.

The following day, Ross, Woody’s other son portrayed by Bob Odenkirk and Woody’s wife Kate arrive in Haawthorne. They all try to cope with dad being the town celebrity as Woody just can’t wait to go to Nebraska and claim his fortune.

The film has won many accolades since its’ release, including The American Film Institute calling it one of the top ten films of the year and Bruce Dern has been nominated for the Best Actor Oscar.

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American Hustle

28 Jan

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CAST

Christian Bale – Irving Rosenfeld

Bradley Cooper – Richie DiMaso

Amy Adams – Sydney Prosser

Jeremy Renner – Mayor Carmine Polito

Jennifer Lawrence – Rosalyn Rosenfeld

Louis C.K. – Stoddard Thorsen

Jack Huston – Pete Musane

Alessandro Nivola – Reggio

Michael Peña – Paco Hernandez/Sheik Abdullah

Shea Whigham – Carl Elway

Robert De Niro – Victor Tellegio

REVIEW:  Directed by David O. Russell and written by Russell and Eric Warren Singer is based on the ABSCAM sting of 1978.  The story concerns itself with Irving Rosenfeld a small time Hustler, sells fake art, owns a chain of Laundromats, and cons people out of thousands with fake investment scams. He is a genius at what he does and like most con-artists he has bigger dreams. He meets his match at a party, a woman, Sydney Prosser, played by Amy Adams. She is an ex-exotic dancer/stripper and is looking to reinvent herself.  Irving finds himself connected to her, and she with him, she falls for him and becomes his mistress.. He teaches her the con game and she reinvents herself as English noblewoman with Royal connections. The two swindle the desperate with bad investment schemes, until one of the investors turns out to be an FBI man named Richie DiMaso, played by Bradley Cooper.

DiMaso coerces the two into helping him put the finger on corrupt politicians like a New Jersey Mayor , Carmine Polito played by Jeremy Renner. Jennifer Lawrence plays Rosalyn Rosenfeld, Irving’s wife, whose son, Irving has adopted as his own. She gets involved much to Syndney’s dislike and almost ruins the sting operation. Irving is forever mending fences caused by his wife and DiMaso who wants to be in control but is at odds with Irving’s plans.

The look of the film, its’ colors and textures are very reminiscent of films made in that era. The music is strictly Disco and Jazz, giving the film its’ mood and setting. The script is a dark screwball comedy, and I found myself laughing at the situations as they grew more complex and absurd.

This is a fine film with an outstanding cast, all deliver solid and believable performances. Christian Bale is Irving Rosenfeld and delivers New York greasy with class and panache. He is balding, with a comb over from hell. that he meticulously puts into place with latex and hairspray to keep the illusion of being someone else. He is adorned with bling that includes a big Star of David on a gold chain and bracelets. He wears suits that look like they fell off a hanger . Bales performance is real, comical in a human way, and pathetic every time he downs a heart pill.

Amy Adams delivers a fine performance as Sydney Prosser, it is wonderful to see her in a role that is down and dirty as opposed to squeaky clean. You understand her as she looks for something real in her life, opposed to the fakery she has been living, in order to survive.

Jennifer Lawrence as Rosalyn Rosenfeld plays her as ditzy, bored, scared, and looking for some excitement in her life. Every time she does something stupid, like accidently blowing up the microwave or causing a fire in her kitchen or some other thing it is obvious she is trying to get her husband’s attention. She is a very lonely and this is at the core of her performance.

The cast is rounded out by great performances by comedian Louis C.K. as FBI man, Stoddard Thorson and Robert De Niro’s cameo as mob boss(what else) Victor Tellegio, among others.

This comedic caper is one of the finest ensemble casts I have seen in a long time. The film is deservedly getting a lot of attention and rewards. Don’t miss it. I predict the film will walk away with Oscars.

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The Lone Ranger

7 Jul

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Cast

Johnny Depp-Tonto

Armie Hammer-John Reid, a k a the Lone Ranger

Tom Wilkinson-Latham Cole

William Fichtner-Butch Cavendish

Barry Pepper-Capt. Fuller

James Badge Dale-Dan Reid

Ruth Wilson-Rebecca Reid

Helena Bonham Carter-Red Harrington

Saginaw Grant-Chief Big Bear

Review: Being a confirmed baby boomer I remember the legend of The Lone Ranger and Tonto, with a mighty hi-ho silver away and the William Tell overture bringing nostalgic memories of television shows past. Before the The Lone Ranger was part of the television landscape his stories came on the heels of the great depression, and at the time was a popular adventure radio broadcast. The series in both cases were rife with cowboy and Indian stereotypes, despicable villains and reflected a time that many people today would consider politically incorrect. The question then remains how do you bring the archaic to modern audiences in a way that can be appreciated by today’s young demographic and please those of us who grew up with the legend? Perhaps the answer comes in the form of one Johnny Depp, in his role of Tonto, an aging Indian, with a dead crow on his head, telling a child at a western carnival side show the true origin of The Lone Ranger. The carnival is in San Francisco in the year 1933, not coincidently I presume, the year the radio show was first broadcast.

As the boy wonders into the tent to see western history come alive, he wanders passed the stuffed bears and animals and comes to a statue of a native American, the plaque on the front of the window reads The Noble Savage in his native habitat. Underneath the wrinkly prosthetics is Johnny Depp as Tonto, not unlike Dustin Hoffman’s old man in the film, Little Big Man. The boy hangs on Tonto’s every word as the story begins in flashback.

The story centers around the building of the Trans-Continental railway through the old west. There are corrupt officials, Tom Wilkinson as Latham Cole, bad guys such as the Butch Cavendish gang, warring Indian tribes, Cavalry officers, explosions, love interest, Ruth Wilson as Rebecca Reid, golden hearted prostitutes on the side of good, Helen Bohnham Carter as Red Harrington, Tonto as a crazy Indian excommunicated from his tribe who becomes a crazy mentor to John Reid a.k.a. he Lone Ranger.

Gore Verbinski directed from a script by, Justin Haythe, Ted Elliott and Terry Rossio. The film mixes witty verbiage, cliché’ bashing, the William Tell Overture beautifully interpolated into the score at appropriate times, spot gags and plenty of eye candy. The film pays homage to such directors as John Ford in its use of Monument Valley for location shooting, Buster Keaton’s the General and of course to the mythos behind The Ranger’s physics defying horse Silver.

The film comes across as extremely entertaining but is in truth a mixed bag. With all the attempt to give the past versions of the myth a modern twist neither is really served. There were times that the film’s homage worked so well you can’t help but smile and say yes, but alas those moments are brief and the amount of well edited bloodshed mixed with witty banter distracts rather than invites.

In the end the film is a worthy attempt, and with all the Pirates Of the Caribbean movie sequels it is nice to watch Depp having the time of his life playing yet another eccentric outcast. So if the old question was “Who was that masked man?” the new question as written into the script is, “What’s with the mask?”

FYI: There is a scene of a child being hit across the face, it is well edited but still may be intense for younger children, be warned

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Frances Ha

31 May

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Directed by Noah Baumbach; written by Mr. Baumbach and Greta Gerwig

Synopsis: Frances (Greta Gerwig) lives in New York, but she doesn’t really have an apartment. Frances is an apprentice for a dance company, but she’s not really a dancer. Frances has a best friend named  Sophie, but they aren’t really speaking anymore. Frances throws herself headlong into her dreams, even as their possible reality dwindles. Frances wants so much more than she has but lives her life with unaccountable joy and lightness. FRANCES HA is a modern comic fable that explores New York, friendship, class, ambition, failure, and redemption.

CAST

Greta Gerwig -Frances

Mickey Sumner-Sophie

Patrick Heusinger-Patch

Adam Driver-Lev

Michael Zegen-Benji

Grace Gummer-Rachel

REVIEW: This delightful, interesting, black and white IFC film, starring the “Queen of Independent” films, Greta Gerwig, tells the tale of a twenty-something woman coming to terms with growing up. Frances is 28 and dreams of being a dancer with the dance company she apprentices with. It becomes apparent what she dreams and what reality is are two different things.  She shares her best friend Sophies’s apartment but as time moves on Sophie faces the real world while Frances is still stuck in her dreams.

There is a bit of Frances in all of us as we have to face adulthood and responsibilities. Frances is the child in us all and she is both reckless and joyous as she naively, almost blindly moves to attain her perceived goals. It is plain to see she is uncomfortable with convention and she knows, even with self-doubt that she must continue after her dreams no matter what other people think. In essence as her friendships grow apart and she builds new ones, they are made with the desperate hope someone will take her at face value. Gerwig gives Frances, humor, an adorable flightiness, charm, insecurity and an enormous amount of likeability. As people she meets see through her, she obviously thinks they are crazy for not taking her offbeat view of life seriously. She almost jokingly is labeled un-dateable, her dance mentor sympathizes with her but understands Frances is not a dancer.  Her adventures through New York City where she lives, are at once humorous and  soul searching. Gerwig gives a remarkable performance.

There is an interesting moment in the film when Frances, on a date, leaves the restaurant she is in, she offered to pay for dinner but the restaurant won’t take her debit card. She leaves the date in the restaurant to find an ATM to pay cash. While running back to the restaurant she trips and falls, when she returns her date notices her arm is bleeding. She was completely unaware of the damage she inflicted on herself.  It seems this moment is a metaphor for how she has lived her life, running from place to place, falling down and not realizing the consequences as she recklessly pursues her dreams.

The film overall has a light touch, and some laugh out loud moments. By the films end you can’t help but feel that Frances is just beginning to get it right. The title of the movie Frances Ha, is also a metaphor for who Frances is, you as an observer can’t take un-dateable Frances seriously, Francis Ha!  No spoilers on how the title becomes relevant. The film is about the search and Frances takes us along for the ride.

The film grew on me as the story progressed and I am sure all of us have met a Frances Halloway at some point or another. Gerwig makes this her own and shares a writing credit with the director.

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The Odd Life Of Timothy Green

19 Apr

Odd-Life-of-Timothy-Green

Synopsis: A small-town couple, Jim and Cindy, grieving over their inability to conceive, write the attributes of their dream child on scraps of paper that they bury in a box in their garden. That night, during a violent storm, a shift in the wind and a little mystery, their dreams are transformed into reality.

CAST

Jennifer Garner……………………………..Cindy Green

Joel Edgerton…………………………………..Jim Green

Dianne Wiest…………………………Bernice Crudstaff

C J Adams……………………………..….Timothy Green

Rosemarie DeWitt…………………………Brenda Best

Ron Livingston…………………….Franklin Crudstaff

M. Emmet Walsh…………………………….Uncle Bub

Odeya Rush………………………………….Joni Jerome

Lin-Manuel Miranda……………………Reggie Marks

Lois Smith…………………………………………Aunt Mel

David Morse……………………………James Green Sr.

Common…………………………………………..Coach Cal

Review: This charming Disney fantasy, centers around a young couple, Jim and Cindy Green. The story begins at an adoption agency, and is told in flashback, as they try to convince the two adoption agents that are fit parents. When asked what experience they had as parents, they tale their remarkable tale.

Cindy retreats into gardening and Jim retreats into his work at the local pencil factory. It seems the factory may shut down and Jim is involved in all the meetings with his fellow workers to discuss their future. The pair becomes depressed as their life together seems unfulfilled. One night Jim had enough of and convinces Cindy they can have a child. For luck they write down all the attributes their child will have, he/she will be musical, have a sense of humor like Uncle Bob,  artistic , perhaps a young Picasso, have heart and compassion…etc.  They take the writings and place it in a wood box which they bury in their garden. After they are asleep a freak storm, over their house, wakes then up and also spreads some magic on the garden.

Jim hears something in the house when he sees the back door open; he notices a whole in the ground where the box was buried. After, a mysterious chase ensues, with flashlights and shadows, we discover the intruder is a boy named Timothy. He is covered in dirt and wet from the rain. After Cindy cleans him up, she notices something unusual. Timothy has leaves growing out of both his legs. When they ask him his name he replies Timothy Green and he refers to the couple as mom and dad. Could this be their dreams coming true.

As time goes by and Timothy is accepted by friends and family and this when the story becomes bitter sweet.  There are many twists and turns in the plot as Timothy falls in love with a young girl, Joni who discovers his secret and bonds with him as she shares a secret of her own.

During the course of the story as Timothy achieves each written attribute, he changes the community in subtle and wonderful ways. He also starts to lose his leaves one by one, as his parents struggle comically to become good parents, they are unaware that Timothy is changing, but Timothy understands what is happening and the story becomes bittersweet.

This is a  wonderful family film that deals with the issues of childhood, parenting, love and adoption. The film will warm your heart.  C.J. Adams is perfect as Timothy and Odeya Rush did a wonderful job as Joni. The rest of the cast was terrific with a stand-out performance by Dianne Weist as the curmudgeonly, matron of the local Pencil Museum.

The film, written and directed by Peter Hedges, is available at Amazon, your local Red-Box and Netflix.

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